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Now, Mickey's idea of "raal grand" scenery is the kitchen fire. Bays and rocks and moonlight, and such like comfortless stuff, would be designated by him as "all my eye an' Betty Martin." He would consider the bluest water that ever rolled a poor thing if compared to the water that boiled in the big kettle, and sadly inferior to such cold water as might contain a "dhrop of the crather." So no wonder he views with dismay Mr. Rodney's evident intention of spending another half hour or so on the top of Carrick dhuve.,

"If he is as fat as you say, he will be a good mark for a bullet," says Mr. Rodney, genially, almost—I am ashamed to say—hopefully. "I should think they would easily pot him one of these dark night that are coming. By this time I suppose he feels more like a grouse than a man, eh?—'I'll die game' should be his motto.",

The woman called again, "No, no; do not go on; come now and wrestle once with me.",

When the old man has gone, Mona goes quietly up to her lover, and, laying her hand upon his arm,—a hand that seems by some miraculous means to have grown whiter of late,—says, gratefully,—

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So he takes her hand, and together they lean over the brink and survey themselves in Nature's glass. Lightly their faces sway to and fro as the running water rushes across the pool,—sway, but do not part; they are always together, as though in anticipation of that happy time when their lives shall be one. It seems like a good omen; and Mona, in whose breast rests a little of the superstition that lies innate in every Irish heart, turns to her lover and looks at him.,

"The loose train of thy amber-drooping hair.",

Then Kŭt-o-yĭs´ entered the lodge, and when the man-eater saw him he called out, "Oki, oki!" (welcome, welcome!) and seemed glad to see him, for he was a fat young man. The man-eater took a knife and walked up to Kŭt-o-yĭs´ and cut his throat and put him into a great stone pot to cook. When the meat was cooked he pulled the kettle from the fire and ate the body, limb by limb, until it was all eaten.,

Mona, who has blushed rosy red at his kiss, is now beaming on her lover, and has drawn back her skirts to admit of his coming a little closer to her. He is not slow to avail himself of this invitation, and is now sitting with his arm thrown across the back of the wooden chair that holds Mona, and with eyes full of heartfelt gladness fixed upon her.